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Adrian Belew ~ Men In Helicopters


Wouldn't it be great
To see the african plains
Before they lay them to waste
And only the bones remain
Wouldn't it be poetry
To shoot holes in the poachers we see
With an elephant gun

Men in helicopters fly
Shooting rhinos from out of the sky
Why do we always assume
The planet is ours to ruin?
What a legacy we're leaving behind
What a legacy

Wouldn't it be something
For the men killing dolphin
To be caught up by their necks
In their greedy fishing nets
Wouldn't it be irony
If the tuna fish canneries
Were to fall into the sea

The dolphins and the whales still left alive
Cry to the stars in the deep blue night
"there's nowhere to hide,
The people on earth will not be denied"
What a legacy we're leaving behind
What a legacy

Wouldn't it be odd
If there really was a god
And he looked down on earth
And saw what we've done to her
Wouldn't it be just
If he pulled the plug on us,
And took away the sun


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Global Music: Unbounded Sound Waves
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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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